Each year, we recruit an artist who shares our values to work on our con-specific merch. This year, that artist is Cassie Kelly. Cassie is ridiculously talented, and we couldn’t be more excited about what’s in store for GeekGirlCon ‘18. In celebration of the big reveal, I asked Cassie a few questions about everything from process to faves.
If you’re interested in checking out more of Cassie’s work, I have the Instagram and web store for you!
We’re in late summer now, and you know what that means? The GeekGirlCon ‘18 countdown can officially begin! For the record, we’ve got 77 days to go.
Everyone has their favorite facet of con-going, whether it’s the panels or the mainstage events or the new friends or just being in a new city for a few days—there’s always something. For some people, it’s the opportunity to get more involved in the operations side of things that makes a con special.
If that’s somewhere near where you fall, I have a quick reminder for you: Applications to be an Agent (AKA the GeekGirlCon volunteers who work only during the con) are closing this upcoming Monday, August 13 at 10:00 p.m.
If you were already planning on volunteering, get those applications in! If you’re on the fence about it, let me give you a couple of details about what you’d be signing up for.
First of all, we need all Agents to be at least 16 years old.
This year, the con falls on Saturday, October 27 and Sunday, October 28. We ask that Agents are available to take two shifts (4-5 hours each) over the course of the weekend. There are many different kinds of roles you’ll be choosing from!
As an Agent, you’ll be required to review some training materials and adhere to our Code of Conduct.
You’ll get a free pass to the con and access to our Agent Headquarters!
You’ll get a behind-the-scenes look at con operations and get to know the other awesome folks working as volunteers.
I was going to suggest we collectively agree not to think about how fleeting summer is, but you know what comes after summer? GEEKGIRLCON!
GeekGirlCon ‘18 falls on the weekend of October 27 and 28, and passes are on sale now! Fortunately, we’re still in our early bird pricing period. As it stands now, two-day passes are 45 dollars and one-day passes are 30 dollars. Kid passes (ages 6-12) are 10 dollars each, and littles (ages 0-5) can attend for free! We have so much programming geared at kids, and keeping their passes affordable is really important to us.
Personally, I suggest you snag your passes now, as prices will incrementally increase as we near October. And do remember, we partner with Con or Bust to get passes to people of color who are interested in attending. Check it out!
Once you’ve sorted out your passes, you can take a look at Hotel Max, which is the hotel we set up convention-weekend discounts with each year. If you’re not local, reserving a room there is a cool way to make sure pesky things like commute times and downtown Seattle traffic don’t interfere with all the awesome. The GeekGirlCon ‘18 per-night rate is currently 169 dollars, and the hotel itself is only a couple of blocks away from the conference center. So, great news all around.
That’s all I have for you right now. The bottom line: get your passes, reserve your hotel rooms. We’ll see you in October!
[Image Description: Egon from Ghostbusters nods head while closing a door. The caption reads, “See you then.”] Source: Tenor
If you’re not watching The 100, I do forgive you. It is a CW show, after all. (I don’t know why, but I can’t take the CW seriously! It doesn’t seem to matter how many of their shows I watch and love!) However, if you are unfamiliar with the show, this post is a PSA for you specifically.
Before I get too into it, I’d like to say that though I am aware of the book that inspired the show (thanks, Kass Morgan!), for my purposes, know that everything here refers exclusively to the TV series. And, with that series, there is a lot to get into. But, first and foremost, the main character, Clarke Griffin.
Just to keep you all updated, I am a changed woman. And it all happened last Friday when the series finale of Sense8 premiered.
If you’re unfamiliar with the show, it’s a Netflix original that first premiered in 2015. Loosely, it’s about a species of human, Sensates, who are intensely telepathically linked with each other. More than anything else, this premise is a tool that allows the creators to write interlocking stories about eight strangers who, upon finding themselves linked and the prospective victims of vicious scientific testing, find out just how vital their newly amplified sense of empathy can be.
I’ve never been able to get a clear sense of just how large the Sense8 fandom is. Most people I ask haven’t watched it and don’t have immediate plans to. I myself only sat down to watch the first episode after a direct and imploring recommendation from a close friend, and I don’t remember it being on my radar before that. Maybe this means the show’s marketing team didn’t do the greatest job. Maybe it means the cast wasn’t high profile enough to garner the attention the show needed. Regardless, this just-too-small viewership has led, ultimately, to the cancellation of the show.
We’ve known about this impending end for a while now. In fact, this final episode was publicized as a last-ditch attempt to tie up the action before the show officially ended. And, let me tell you, it was perfect. It was everything we wanted and needed. More than anything else, it made me sad that more people hadn’t experienced this beautiful, glorious show. So, to commemorate this ending, I offer you eight spoiler-free reasons why you should consider watching Sense8 because if I’m sure of anything, it’s that this story deserved more attention than it got.
As you’ve probably noticed (or are feeling yourself), reactions to Solo, the newest installment in the Star Wars film franchise, are, to put it simply, mixed. If you’re looking for a general consensus, the closest you’re going to get is a noncommittal “it wasn’t great, but it also wasn’t horrible.”
In trying to organize my own thoughts and feelings about it, I asked some fellow GeekGirlCon staff members about their first impressions. Unsurprisingly, it seems our responses were as mixed as those of the fandom at large. Here’s a selection of some of my favorite reactions. I know that reading about what everyone else has been thinking has been good for my excitable fangirl heart, and I hope it will be for yours too.
Since the premiere of this season of The Handmaid’s Tale, I’ve been thinking a lot about the concept of feminist TV and feminist media generally. To be fair, I don’t really ever stop thinking about the concept of feminist media, but as there has been a clear influx over the past few years, the conversations surrounding it are becoming more and more pointed.
The Handmaid’s Tale is a clear example of what is widely considered feminist media, but it’s not the only example. Its tone and sense of hopelessness have led me to think a lot about what is useful to feminists about feminist media. Many people think of The Handmaid’s Tale as a story that can open the eyes of those who don’t themselves suffer at the hands of heteropatriarchy to our plight. But as feminists whose eyes are already opened, what do we need from our media?
Each year, local nonprofits receive a surge of support during the Seattle Foundation’s annual giving campaign, GiveBIG. GiveBIG invites individuals to support their favorite nonprofits with monetary donations. You can check out GeekGirlCon’s page here. This year, we’re able to provide matching funds thanks to former GeekGirlCon board president I-Wei Feng.
While this time of year is surely important to a lot of orgs, it’s also super important to us, as it’s when some of GeekGirlCon’s most supportive individual sponsors show up in full force. To give you a sense of some of the remarkable folks who really come through for GeekGirlCon during GiveBIG, I interviewed longtime supporter Stevie Lantalia Metke.
As we hope is abundantly apparent, we value and prioritize diverse perspectives here at GeekGirlCon. At the con, this is reflected in our programming, which consists almost entirely of panels, workshops, and events that are created and hosted by community members. However, throughout the off-season, the content we produce is limited to the collection of voices that comprise our marketing staff. And while it’s a great staff, it’s also small. We have volunteered to help usher content through the GeekGirlCon pipeline, but we shouldn’t have a monopoly on the creation of the content itself. This is where you come in.
Even more than writing our own posts, GeekGirlCon’s Copy Team (that’s us, the blog people) is responsible for ensuring that the blog is a complete reflection of our broader community. It’s a job that involves many steps, and one of those is seeking out much-needed guest contributors. Writing for us in a guest capacity is cool because it requires a less serious time commitment than being a staff member does, but it still gets you involved in our year-round work.
For this pre-con season, we’re particularly interested in takes on diversity among content creators. As a viewer, what differences do you see between media that involves diverse perspectives integrally behind-the-scenes and those that don’t?Are you a creator yourself? How is your perspective key to the stories you create? Do you have ideas about how we, as a community, can demand the representation we deserve? If you have answers (fully-fledged or not!), we want to hear from you.