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GeekGirlCon Blog

LGBTQIA+ Staff Round-Up for Pride: Queer Media We Love

We’re currently living through one of the weirdest and darkest and most stressful times most of us have ever experienced–you don’t need me to tell you that. Something I’ve been thinking about a lot is how much we need to continue fostering our communities if we’re going to survive with our mental health and relationships and sense of hope intact. Thinking about good queer media, and sharing it with y’all, is only one tiny part of that work, but it’s a part I can do today, just in time to honor the end of Pride. Read on to hear what some of our LGBTQIA+ GeekGirlCon staffers love about their favorite queer media, take care of yourselves and each other, and then let’s get back to showing up for Black lives and queer liberation.

Look at this beautiful piece Tina Burns, our Twitter Social Media Specialist, made earlier this month! [Image Description: Watercolor Pride flag with the word “Love” written in cursive on it.] Source: Tina Burns

Teal Christensen
“Rock On!”

#GeekGirlTalk: Felix Ever After

Who We Are Vaguely and in Terms Only of the Media We Seek Out Most Often:

Teal (roman type!)
Literally any teen TV show, YA, women’s and feminist media, everything Star Trek

Hanna (italics, baby!)
Reality TV, memoirs, romance novels, anything British, any podcast ever

I think both Hanna and I have been craving some really good, really queer YA recently. When I started hearing about Felix Ever After by Kacen Callender online, I knew it was likely to be just that. The story follows a 17-year-old Black trans kid named Felix as he muddles his way through a summer program he’s completing at the private arts high school he attends in New York. A few important throughlines of the story are that Felix doesn’t know what to make for his senior portfolio (which he’ll submit in his college applications), he’s questioning whether there’s more to his trans and queer identities than he’d previously thought, and he feels a lot of anxiety about the fact that he’s never been in love and what that might mean about him. It’s serious YA stuff, and serious queer stuff, and that’s the exact arena I’m most interested in. But, before I dive into what I was thinking while reading, Hanna, what did you think of Felix?

So, for the first 30 or so pages of Felix, I was really afraid that I wouldn’t love it. (Which, of course, wouldn’t have ultimately mattered so much; as a white cis queer woman, my personal opinion on the book is irrelevant as long as it connects with the communities represented within it–namely, Black trans people). I was frustrated by the Felix’s friends (with the exception of Ezra and, eventually, Leah), and I was worried that the multifaceted and intense transphobia that Felix experiences early on meant that the book would reinforce a narrative in which trans people are always the subjects of violence and are never allowed joy. Ultimately, though, I loved this book. It was so complex, emotional, and full of such realistic depictions of friendship, love, family, and identity. A few things in particular stood out to me: the fact that the quasi love triangle in the book actually worked (!?), the beauty of Felix’s search for an identifier that felt right to him (which felt so believable to the experience of a teen who’s just, like, “It’s a great thing that I have Google to help me figure this out,”) and the way that art (and artist’s block) helps Felix connect with himself and understand what he really wants out of life (spoiler alert: getting in to Brown isn’t going to solve anyone’s problems). Teal, I would love to also talk about the fact that this is an #OwnVoices book–something that is, of course, crucial for so many reasons.

[Image Description: Cover art for Felix Ever After. There’s an illustration of a Black kid with short wavy brown hair. He has a low-cut grayish tank top. You can see some tattoos on his arms and parts of his top-surgery scars on his chest. Around him and on his head there are doodles of flowers and yellow paint smears. The background is an orange-red.] Source: Goodreads

Yes! Okay, so #OwnVoices, though y’all likely already know, means exactly what it sounds like: It’s a way to describe books that are written by authors who share the identities of their main, POV characters. This is a hugely important thing in all fiction, but particularly in books for and about kids and teens where so much of the plot revolves around a coming-of-age and/or emotional journey for the main character. In terms of this book and the intersection between the characters’ experiences and my own, I’ve been thinking a lot about #OwnVoices and how it’s being utilitzed by queer writers for their queer characters.

Something that we talk a lot about, Hanna, is the fact that queer writers (who are writing queer characters) in any genre, but notably in YA since its popular iteration is relatively new, have to do a lot of work that cishet writers don’t. There is context about queerness that needs explaining, tropes that need dismantling and reworking. In so many ways, the fact that queer writers are getting long-overdue attention (though it’s still fractional compared to what’s owed) while the concept of #OwnVoices is being widely discussed is pivotal because it gives more genre-defining authority to actual queer writers. And I think Felix is a perfect example of this process and what it can mean for queer YA as more big publishing houses start paying attention to these stories. 

I think that this is one of the aspects of this book that makes it so specifically perfect for young adults/teens (even though, of course, YA books are for everyone) and so specifically perfect for this particular time period. Callender does so much work in this book to explore identity terminology, to explain and illustrate the many forms that transphobia can take, to affirm a multiplicity of identities and specificity of experience, to discuss the joys and limitations of Pride™. Sometimes, it feels like a lot of exposition, a lot of work to get the book’s audience on the same page. But in some ways, that also feels like a necessary strategy for right now–especially when Black trans people still face such disproportionate levels of violence, and when there is such pervasive ignorance and misinformation about trans and nonbinary identities. Teal, what do you feel about the approach that Callender takes? Did it work for you? What are the upsides and the limitations of having to do so much more explaining that white cishet writers?

I think the upsides of this approach are monumental in that Felix, and other books like it, will give so much to their readers. Like, just as a point of reference, Hanna and I, two white adult people who have had a lot of safety and validation in exploring our queerness, need this book much differently than I imagine queer kids of color might. And the fact that we have people like Callender who are putting in so much work to get these stories out in the world is so heartening. This is the kind of art that I want to support with my attention and my money (and my blogging lolol). 

Also, despite everything I just said, I also found so many moments in Felix, especially the parts where he’s thinking about his queerness, to so intensely give me the feeling of, Wow, this is why we need queer people to write queer sh**. Hanna pulled this perfect quote to give you an example of Callender’s real triumph in this process:

 “I was hurt this summer, hurt more than I thought I ever could be. It could’ve been easy to say I was hurt because I’m trans, because someone singled me out for my identity, but there’s something weird about that—something off, about suggesting that my identity is the thing that brought me any sort of pain. It’s the opposite. Being trans brings me love. It brings me happiness. It gives me power. It makes me feel like I’m a god. I wouldn’t change myself for anything.”

One other/final thing I’ll say is that I’m just so excited about how the quote unquote genre of queer YA will continue to evolve as more queer writers publish new stories. We’re going to get so much good and real and hopeful depictions of queer people and relationships. And we’re going to get our own tropes and our own genre conventions, and it’s basically the only thing I’m excited for. 

On that note, let’s continue this conversation and celebrate Pride by sharing reviews and recommendations for more YA written by queer BIPOC on Twitter. You can find me @TealChristensen and Hanna @HuppTwoThree. 

Teal Christensen
“Rock On!”

Book Preview: Rainy Days by G. Empty

The world can be relentless. It can be scary, daunting, and seemingly endless. Right now whenever I turn on the news I’m filled with an acute sense of dread and fear. Anxiety that I’m not doing enough, or that I know too little. I try to educate myself and listen, because something is happening. Something is churning and it feels like change.

Racial injustice is a burning plague in this country—throughout the world. The black community has been mistreated and forced to endure centuries of systematic abuse and discrimination. Their pain and suffering are real, and we should all be listening to their cries of anger and frustration.

We all have something to learn from their stories.

In his novel Rainy Days, G. Empty paints the image of a dreary, apocalyptic cityscape. Although the narrative is rooted in rich, intoxicating fantasy, the fight and hardship of his diverse cast of characters are very real and incredibly relevant. G. brilliantly illustrates the plight of the black community as they stand up against their oppressors. You’ll wince beneath the weight of their pain and cheer when they succeed.

Listen and learn, because as G. carefully highlights: everyone has rainy days.

Anime inspired by black culture. That was my first impression of Rainy Days by G. Empty. The story is quirky and fun, coated in a blithe exterior and reminiscent of your favorite 1990s cartoon. It’s filled with caricatures and slang—I can hear a jazzy rift play whenever a character angrily beats on a door or stalks down the hall. Dipped in a sepia-toned pool and handed a weapon to fight, it’s comparable to Cowboy Bebop with just a pinch more Hitchcockian-noir.

It was a joy to read, and once you breach the surface—hell, it goes so much deeper. It’s devastating.

“Oddly enough, no one mourned the pigs.”

Rainy Days

For someone who very publicly claims that he isn’t a writer but a storyteller, G.—an 2020 Independent Publisher Book Awards medalist in Urban Fiction—constantly wowed me with his crushing play on words. There’s an earnestness in his tone that isn’t so easy to find in big-house publishing. I was immediately drawn to G. and his story during our initial introduction. His charisma is endearing, and Rainy Days is his heartbeat.

Indigo Boock
“Rock On!”

Sub vs. Dub: How Do You Watch Your Anime?

Kirishima fights Tetsutetsu in a My Hero Academia school festival match!
Kirishima and Tetsutetsu, both with similar quirks, fight each other in an evenly powered match!
Image courtesy of Giphy

To lovers of all things Japanese, it is the age old question: Is subtitled anime better than its English dubbed counterpart? Or vice versa? In the past, many audiences had little choice but to watch whatever form was available to them, but as the internet improved and streaming services have begun to offer a veritable buffet of media choices, we are essentially able to pick whatever form of media consumption we choose. Each form has its pros and cons, and it is only fair to explore them both.

Subtitles Offer a More Authentic Experience

Subs, or subtitled anime with the original Japanese voice acting, would definitely be the best choice if you are looking for a pure anime experience. Even when the story is set in fantasy or non-Japanese contexts, anime is rife with Japanese social norms, body language, and cultural references. Watching the anime in the original Japanese helps to connect some of these small yet significant nuances, which allows for a well-rounded cultural experience.

Often, when watching the dub (where English or another language is superimposed on the animation instead of the Japanese), it becomes clear that there are just some things that don’t translate well out of Japanese to other languages. For example, the use of honorifics. Anime gets much of its charm from emotional connections between characters, which can be initially gleaned from the honorifics used between them. Terms such as san, chan, and sama all signal different relationships and levels of familiarity, or lack thereof.

Rebecca Anglesey
“Rock On!”

How You Can Support The #BlackLivesMatter Movement

Here is a non-exhaustive list of some of the resources our team has been relying on to educate ourselves and take action. This is a working list and will be edited as more resources are brought to our attention.

Take Action

Petition:

Contact officials and representatives to demand action and accountability:

  • Minneapolis Mayor Jacob Frey (612-673-2100)
  • Minneapolis District Attorney (612-348-5550)
  • Seattle Mayor Jenny Durkan (jenny.durkan@seattle.gov)
  • Washington State Governor Jay Inslee (here and here)
  • Seattle Police Department/Seattle Police Chief Carmen Best (206-648-8797 or opa@seattle.gov)
  • File an employee complaint to the Seattle Police Department (here)
  • Senator Patty Murray (here)
  • Senator Maria Cantwell (here)

Donate


Follow Black Activists & Creators


Educate Yourselves

#BlackLivesMatter

GeekGirlCon
“Rock On!”

In Solidarity with #BlackLivesMatter

GeekGirlCon stands with the Black community and calls for justice in the murders of Breonna Taylor, Tony McDade, Ahmaud Arbery, George Floyd, and countless others. There is nothing we can say that hasn’t been said. There is nothing we can say that hasn’t been screamed—that hasn’t been roared. But, we’re here to hold ourselves and our community accountable for showing up in the fight against police brutality and white supremacy. We’re angry, we’re grieving, and we’re not staying silent.

#BlackLivesMatter

GeekGirlCon
“Rock On!”

Tea Time

There’s one habit that I’ve acquired during this pandemic that I’d like to keep: drinking more beverages throughout my day. Specifically, drinking several cups of herbal tea a day. I’ll always have a cup of coffee to start my day, but the rest of my day now belongs to tea. 

[Image description: A looped GIF of steam rising from an elegant mug.]Image source: Giphy

Kalyna Durbak
“Rock On!”

On the Changing Values of Animal Crossing

This piece was written by Emily Mozzone, one of GeekGirlCon’s Marketing Designers. If you’d like to pitch a guest post, contact us at blog@geekgirlcon.com!

There’s no doubt that Animal Crossing has come far as a Nintendo IP. For those of us who have played since the beginning, Animal Crossing has metamorphosed from an odd, obscure game that none of your friends played into the worldwide phenomenon it is today. The data backs this up: Animal Crossing for the GameCube sold a little over 2 million copies worldwide, while Animal Crossing: New Horizonssold some 1.88 million copies in its first 3 days on sale in Japan” only, and that’s not even including digital copies.

A lot has changed in the Animal Crossing universe since its launch 19 years ago, and overall I think these changes are for the better. The game is generally more accessible and friendly to players: I’m thankful that I live in a world where I can just fly to my friends’ islands over the internet rather than try to find another kid who owns Animal Crossing on the GameCube and then trust them enough to physically swap our memory cards. I’m glad that kids don’t have to get constantly berated and teased by their villagers (let’s be real, GameCube NPCs were savages).

xamples of Absolute Savagery in Animal Crossing - myPotatoGames
[Image Description: Screenshot of Animal Crossing gameplay. The dialogue reads, “Why, you’re so short, I can’t help but laugh! Whoa ho ho!”] Source: My Potato Games

But as the series has progressed and strived to be even more fun and enjoyable, I think a little bit of the magic and freedom has been lost. f

Historically, Animal Crossing has been about taking your time. We live in a world that constantly asks you to rush, be productive, make money. In video games, we fight, we level up, and we try to win. Animal Crossing throws all this out the window. There is no way to win: Animal Crossing simply asks you to value “family, friendship, and community.”

So what’s changed in the Animal Crossing world? Why do I feel like the game has strayed from these original values?

Teal Christensen
“Rock On!”

Thank You For Giving Big

Because of your support, we were able to make $4,668 during GiveBIG!

As you know, GeekGirlCon is a volunteer-powered nonprofit organization that exists because of people like you who believe in our mission to celebrate and honor the legacies of under-represented groups in science, technology, comics, arts, literature, gameplay, and game design. We know the last few months have been unexpectedly difficult, and now more than ever we appreciate your dedication to helping GGC achieve its mission and expand its impact in ways we could have never imagined when we were first starting out ten years ago.

Indigo Boock
“Rock On!”

A Growing Sense of Community: GiveBIG is Today

Today is the day—GiveBIG!

First and foremost, GeekGirlCon is a community. Despite these trying times, we will continue to push forward and persevere. We wouldn’t be here today without the love and support of all of you, helping us expand and reach new heights with every passing year. We know that the last few months have been uncertain and challenging, but your continued support and dedication to our cause is what pushes us to barrel forward. We have a goal to accomplish, and that mission is to make sure that everyone feels supported, welcomed, and encouraged to express what they love and celebrate their unique self.

Whether or not you are able to donate this year, your support means the world to us. While we lean on the love and dedication of our community to guide us forward—we absolutely want you to lean on us too.

Beyond the scope of the convention, we want to help foster this community through trying times. We want to be a place where you can share your passions and learn, educate, and grow. Together, we can get through this. Seattle, GeekGirlCon—everyone, everywhere. This is a time to gather together (while practicing social distancing, of course).

Indigo Boock
“Rock On!”

Join The Discussion #GeekGirlCon

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